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Mary Hunter, Metronome Marks, the Composer’s Intention, and the Sense of the Work

Musicology Lecture
April 18, 2016
12:00PM - 1:30PM
Room 205, 18th Ave. Library

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Add to Calendar 2016-04-18 12:00:00 2016-04-18 13:30:00 Mary Hunter, Metronome Marks, the Composer’s Intention, and the Sense of the Work Time: 4 p.m. Event Host: School of Music Short Description: This talk examines modern performers’ comments about the value (or lack thereof) of authorial metronome marks in relation to their sense of communicating the true spirit of the work. Metronome Marks, the Composer’s Intention, and the Sense of the Work presented by Mary Hunter, musicologist, Bowdoin College.When, as performers, we assert that we are being faithful to the intentions of the composer, or that we’re observing Werktreue, we are often making choices about which intentions matter most, or about what constitutes the “Werk” to which we are being “treu.” There is no better example of this than our attitudes to composer’s metronome marks. This talk examines modern performers’ comments about the value (or lack thereof) of authorial metronome marks in relation to their sense of communicating the true spirit of the work.Lectures are held Mondays at 4 p.m. in the 18th Avenue Library, 175 W. 18th Ave. (Music/Dance Library, second floor, room 205), unless otherwise noted. These events are free and open to the public. Room 205, 18th Ave. Library College of Arts and Sciences asccomm@osu.edu America/New_York public
Time: 4 p.m.
Event Host: School of Music
Short Description: This talk examines modern performers’ comments about the value (or lack thereof) of authorial metronome marks in relation to their sense of communicating the true spirit of the work.


Metronome Marks, the Composer’s Intention, and the Sense of the Work presented by Mary Hunter, musicologist, Bowdoin College.

When, as performers, we assert that we are being faithful to the intentions of the composer, or that we’re observing Werktreue, we are often making choices about which intentions matter most, or about what constitutes the “Werk” to which we are being “treu.” There is no better example of this than our attitudes to composer’s metronome marks. This talk examines modern performers’ comments about the value (or lack thereof) of authorial metronome marks in relation to their sense of communicating the true spirit of the work.


Lectures are held Mondays at 4 p.m. in the 18th Avenue Library, 175 W. 18th Ave. (Music/Dance Library, second floor, room 205), unless otherwise noted. These events are free and open to the public.

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